Monday, November 28, 2011

Pope: sex abuse 'scourge' for all society (AP)

VATICAN CITY ? Pope Benedict XVI insisted on Saturday that all of society's institutions and not just the Catholic church must be held to "exacting" standards in their response to sex abuse of children, and defended the church's efforts to confront the problem.

Benedict acknowledged in remarks to visiting U.S. bishops during an audience at the Vatican that pedophilia was a "scourge" for society, and that decades of scandals over clergy abusing children had left Catholics in the United States bewildered.

"It is my hope that the Church's conscientious efforts to confront this reality will help the broader community to recognize the causes, true extent and devastating consequences of sexual abuse, and to respond effectively to this scourge which affects every level of society," he said.

"By the same token, just as the church is rightly held to exacting standards in this regard, all other institutions, without exception, should be held to the same standards," the pope said.

An official of a U.S. group advocating for victims of clergy abuse lamented that Benedict, with his remarks, was setting a "terrible example" for bishops.

"No public figure talks more about child safety but does little to actually make children safer than Pope Benedict," David Clohessy, national director of the Survivors Network of those Abused by Priests, told The Associated Press in an emailed statement.

"The pope would have us believe that this crisis is about sex abuse. It isn't. It is about covering up sex abuse," Clohessy said. "And while child sex crimes happen in every institution, in no institution are they ignored or concealed as consistently as in the Catholic church."

The pedophile scandal has exploded in recent decades in the United States, but similar clergy sex abuse revelations have tainted the church in many other countries, including Mexico, Ireland, and several other European nations, including Italy.

But the most high-profile sex abuse case in the United States at the moment doesn't involve the church. Penn State university's former defensive football coordinator Jerry Sandusky has been charged with sexually abusing eight boys, and the fallout has led to the firing of longtime coach Joe Paterno and the departure of university president Graham Spanier.

College football in the U.S. is highly popular. The scandal has shaken the reputation of a college program that long had prided itself on integrity.

Benedict didn't address accusations by many victims and their advocates that church leaders, including at the office in the Vatican that Benedict headed before becoming pontiff, systematically tried to cover up the scandals, and that they have rarely been held accountable for that.

Investigations, often by civil authorities, revealed that church hierarchy frequently transferred pedophile priests from one parish to another.

Benedict told the bishops that his papal pilgrimage to the United States in 2008 "was intended to encourage the Catholics of America in the wake of the scandal and disorientation caused by the sexual abuse crisis of recent decades."

Echoing sentiment he has expressed in occasional meetings with victims of the abuse on trips abroad, Benedict added: "I wish to acknowledge personally the suffering inflicted on the victims and the honest efforts made to ensure both the safety of our children and to deal appropriately and transparently with allegations as they arise."

Benedict seemed to be reflecting some churchmen's contentions that the church has wrongly been singled out as villains for the abuse, a view that angered victims' advocates.

"The pope is again setting a terrible example for the world's bishops, echoing the claim by some of them that the church hierarchy is somehow being picked on by the public, the press and their parishioners," Clohessy said .

Despite criticism over U.S. bishops' handling of the abuse scandals, Benedict exhorted the churchmen to be moral compasses for U.S. society. The bishops, in Rome for consultations with the pope that are scheduled every five years, were urged to speak out "humbly yet insistently in defense of moral truth."

Benedict lamented what he called efforts to stop the church from speaking out publicly.

Earlier this month, U.S. Roman Catholic bishops vowed to defend their religious liberty in the face of growing acceptance of gay marriage and what they called attempts by secularists to marginalize faith.

In Illinois, for example, government officials ceased working with Catholic charities on adoptions and foster-care placement because the religious agencies refuse to recognize a new civil union law. Illinois bishops are suing the state.

Bishops have also pressed federal officials for broader religious exception to U.S. President Barack Obama's health care overhaul, which mandates that private insurers to pay for contraception.

"Despite attempts to still the church's voice in the public square, many people of good will continue to look to her for wisdom, insight and sound guidance in this far-reaching crisis," Benedict said, citing what he called a "growing sense of dislocation and insecurity" in the face of economic woes.

But he acknowledged that some of the bishops' own flock are turning away from the church, which he blamed on effects of a "secularized culture." Many U.S. Catholics shun Sunday Mass attendance or disregard such Vatican positions against contraception and divorce.

Source: http://us.rd.yahoo.com/dailynews/rss/europe/*http%3A//news.yahoo.com/s/ap/20111126/ap_on_re_eu/eu_vatican_sex_abuse

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Sunday, November 27, 2011

Michelle Williams talks Marilyn, Matilda and musicals (omg!)

Actress Michelle Williams, who portrays Marilyn Monroe in the film "My Week With Marilyn", poses at a screening of the movie during AFI Fest 2011 in Hollywood November 6, 2011. REUTERS/Danny Moloshok

LOS ANGELES (Reuters) - Michelle Williams takes on the iconic role of Marilyn Monroe in the indie film "My Week with Marilyn." Currently in theaters, the film is based on Colin Clark's book of the same name and chronicles his time spent working with Monroe while she was in England shooting the romantic comedy "The Prince and the Showgirl" in 1956.

Williams sat down with Reuters to talk about portraying Monroe, the film, shooting her current role of Glinda the good witch in Sam Raimi's "Oz: The Great and Powerful" and her six-year-old daughter Matilda with late actor Heath Ledger.

Q: Did you have an awareness of Marilyn Monroe and her starpower when you were younger?

A: "I was interested in her, but then I kind of lost track of her over the last 10 years or so. I had a poster of her up in my room. It wasn't a picture of her as the icon, it was a picture of her looking like an ordinary joyful girl. So I definitely had some kind of connection. (Working on this film) reignited whatever initial, sort of, attraction I had to her when I was a teenager."

Q: Did you do your own singing in the film?

A: "Yes and my mother is going to be so excited when she sees this. She always wanted me to sing and dance. I had so much fun doing that!"

Q: So doing a musical could be in the cards for you?

A: "I would love to. What's so liberating about singing and dancing is that it turns your head off. You coast on this wave of muscle memory. You literally can't think while you're performing. There's a kind of transcendence to it. I think maybe that's why Marilyn was so especially talented at it. Her singing and dancing are unparalleled and her musical numbers are just breathtaking."

Q: The film used many of the same locations in shooting "Prince and the Showgirl." Did that add to the production?

A: "There was a lot of synchronicity. We shot in the actual Parkside house (that Marilyn lived in). My dressing room at Pinewood was Marilyn's actual dressing room. That was so special. The stage where she shot that song and dance number was the stage where I shot mine. So many of the props in our movie were in the original 'Prince and the Showgirl' movie."

Q: Did it ever feel ghostly?

A: "Well, it's all energy. And it's what you make of it. I like to make things out of nothing! (laughs) I like to spin things out of thin air, so that stuff works for me."

Q: Did you wear wigs for the part, or grow out your hair?

A: "I wore wigs, but I had to keep my hair really bleached underneath because it would show through the wigs. My eyebrows had to be dark and they were reshaped. You go through so many grotesque phases making movies (laughs). I never really feel quite like myself. I just feel like a mutant -- always halfway in between some other person and myself. I don't know what belongs to me and what doesn't!"

Q: After filming ended was it hard to let go of Marilyn?

A: "I think when you work in a way that really gets under your skin, its not an easy break. You make a little extra room for these people that you play and then they leave. You're left with this hollow space. I wish I could play her again."

Q: Does your daughter Matilda come to set?

A: "She comes with me everywhere."

Q: How do you balance getting into character and then going home at the end of the day to be a mom?

A: "What works for me is to have a commute from where we live to where I work. So that in the morning, I leave the house behind and walk clean and fresh into my professional life. And then the same thing on the way home. I find that a 20 or 30 minute commute makes a kind of passageway for me that I need."

Q: You're currently shooting "OZ," playing Glinda. Matilda must love coming to that set.

A: "It's the best thing professionally that's happened to us. It has brought her on board my work in a way that wasn't possible in a movie like 'Marilyn' or 'Blue Valentine.' On those, there was no space for a kid to come visit and be a kid. (With 'Oz') she comes every single day after school because it's like a playground. She says, 'There's only one good witch and it's my mom.' She's very excited about it."

Q: It's interesting that you said the project was the best thing to happen professionally to "us" not "me."

A: "Definitely. Every choice that I make is about how it's going to affect our life -- where it films, how long it is, what else is going on in her year, what's the last job I did, how much time I've had off in between, how much time we had to really deeply connect and how long can we sustain a period of time where I'm working. So when 'Oz' came along, it was very clear to me that it was the right decision for us."

(Editing by Bob Tourtellotte)

Source: http://us.rd.yahoo.com/dailynews/rss/entertainment/*http%3A//us.rd.yahoo.com/dailynews/external/omg_rss/rss_omg_en/news_michelle_williams_talks_marilyn_matilda_musicals140050552/43711530/*http%3A//omg.yahoo.com/news/michelle-williams-talks-marilyn-matilda-musicals-140050552.html

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